Araniko’s Swetchaitya in Beijing: A Timeless Symbol of Nepal-China Cultural Heritage

World

Home
World
Araniko’s Swetchaitya in Beijing: A Timeless Symbol of Nepal-China Cultural Heritage

Araniko’s Swetchaitya in Beijing: A Timeless Symbol of Nepal-China Cultural Heritage

Ecosphere News Correspondent 2026-02-15 20:05:00

Beijing, China - Standing gracefully in the heart of China’s capital, the historic White Pagoda at Miaoying Temple continues to represent one of the most remarkable examples of Nepalese architectural excellence beyond Nepal’s borders. Known as Araniko’s Swetchaitya (White Pagoda or White Dagoba), the 13th-century monument remains a proud symbol of centuries-old Nepal-China cultural friendship.
The 50.9-meter-high structure was designed by renowned Nepali architect Araniko (also known as Arniko), who led a team of skilled artisans to China during the reign of Mongol emperor Kublai Khan. Commissioned during the Yuan Dynasty, construction of the White Pagoda began in 1271 and was completed in 1279.
Architecturally, the Swetchaitya reflects strong Nepalese and Tibetan influences. The monument features a distinctive white, inverted bowl-shaped dome crowned with thirteen symbolic rings. At its summit sits a 9.7-meter bronze canopy decorated with 36 bronze bells, adding both spiritual and artistic significance to the structure. The base of the pagoda spans over 30 meters in diameter, reflecting the grand scale envisioned during its construction.
Located in central Beijing, the pagoda is considered one of the only well-preserved cultural relics from the Yuan Dynasty capital of Dadu. Despite political and social upheavals-including China’s Cultural Revolution-the monument survived intact. It was later renovated following damage from the devastating 1976 Tangshan earthquake, demonstrating China’s commitment to preserving its historical treasures.
In 1961, the White Pagoda was officially declared a National Cultural Heritage site under the leadership of Chinese Premier Zhou Enlai. Today, it stands not only as a religious and architectural landmark but also as a living testimony to centuries of artistic exchange between Nepal and China.
For Nepal, Araniko’s Swetchaitya is more than a monument abroad-it is a symbol of Nepal’s historic contribution to global art and architecture. The pagoda continues to attract thousands of visitors annually and remains a proud reminder of the deep-rooted cultural ties between the two nations.
As Nepal strengthens diplomatic and economic relations with China in the modern era, Araniko’s masterpiece in Beijing quietly reminds both countries of a shared heritage built more than 700 years ago.